Architect and visual artist Eleri Jones has recently transformed the former nurses’ quarters at the South Sydney Hospital site into a Creative Centre. In an interview with Architecture & Design, she explains why this project is exemplary model for civic adaptive reuse.
Architecture & Design: Can you describe the initial vision for this project and how it evolved over time?
Eleri Jones: It was an honour to witness Peter Stutchbury, Belinda Koopman and the PSA team apply their creative magic to the old nurse’s quarters at Randwick. The moves were simple - a void and a projection - an echo of Pete’s recurring composition of the cave and the tree. D5 architects were excellent heritage collaborators and supported the bold moves wholeheartedly. The execution was exquisite and has resulted in a building that transcends its original form and function.
What were the biggest challenges you faced during the design and construction phases, and how did you overcome them?
I was part of the documentation team and learned so much about delivering public work. The biggest challenge was how to deconstruct the interior to allow for equal access and the integration of services while preserving the heritage aspect of the cellular rooms. The door, glazing and joinery packages were integrated so that the new walls could provide a ‘shopfront’ for the studio spaces.
How did you ensure that the project met the client’s needs and expectations?
The City of Sydney had a fantastic team of design managers who worked closely with us during the design phase. They undertook thorough community and stake holder consultation to ensure the needs and expectations of the future users were incorporated. I’m curious to know how it has evolved since opening almost 10 years ago.
Were there any unique or innovative techniques or materials used in this project?
The most innovative aspects were the fibreglass gutters designed to allow light through the base of the arched roof forms. The other elements are a timeless blend of timber, copper, brass, terrazzo and glass.
How does this project fit into your broader portfolio and design philosophy?
This project is an exemplary model for civic adaptive reuse and it set me on a trajectory away from high-end residential towards public and educational architecture. I feel so fortunate to have been part of the process and for the doors the experience has opened for me since.
What inspired you to pursue a career in architecture, and how has your perspective changed since you began?
I grew up in an old farmhouse in mid-Wales that my parents have been gradually renovating since 1988. Being part of that process inspired me to pursue a career in architecture. My perspective has come full-circle in understanding that a building isn’t a finished product. Dwellers will always change and adapt it to suit their needs. An architect simply guides it for a brief moment in time.
Can you discuss a project or moment in your career that significantly shaped your approach to architecture and design?
Currently my personal life is the thing that shapes my approach to architecture and design. My career has adapted with my changing needs. Good mental health, work-life balance and a stable salary are my priorities right now. Pursuing creative practice outside of architecture helps me find balance in a profession that has consumed me at times.
How do you stay current with architectural trends and technologies?
I’ve been working with RDG on the Gold Coast for a year and I adore being back in a chatty office, it is my favourite way to learn and keep up to date. From informal sharing to formal CPDs to simply tuning-in to other people’s conversations and asking questions. I worked from home when my kids were very young and did CPDs online with Archify. I would have felt totally isolated from the profession without that option.
What role do you think sustainability plays in modern architecture, and how do you incorporate it into your work?
I find it hard to reconcile my ideals with the reality of practicing architecture. I have learned to accept reality and do my part to subtly shift things in the direction of more sustainable outcomes. I use my arts practice as a way of expressing my grief. Doughnut Economics by Kate Raworth states the obvious that has been conveniently ignored for centuries regarding living within a finite resource system. Modern architecture can fit within the doughnut if we track data and regulate accordingly.
What advice would you give to young architects just starting their careers?
Look after your mental health. Architecture is a long-game so keep turning-up and eventually you’ll gain the experience you need to feel a sense of mastery. Pursue what interests you. Take breaks if you fall out of love with it and return if it calls you back.
