Axolotl worked closely with Wiradjuri artist Karla Dickens to install an important and powerful mixed-media artwork at the entrance to the Art Gallery of New South Wales in Sydney.
Depicting hooded figures, Dickens’ artwork titled ‘To see or not to see’ is a powerful exploration of the continuing legacies of colonialism and patriarchy. The materially rich work featuring sea-green glass referencing Sydney Harbour and a patina that reflects the bronze panels on the iconic sandstone facade of the Art Gallery of NSW’s existing building has been installed above the entranceway of the building. Located in the niche above the front door, Dickens’ work fills the space left empty by the contentious cancellation of a 1913 commission by the Australian sculptor Dora Ohlfsen.
Axolotl worked with Dickens and the AGNSW Curatorial team to develop and fabricate the artwork.
The location presented the challenge of installing a semi-permanent artwork onto the heritage façade with no additional holes or fixings into the sandstone. This challenge was overcome with an engineered compression frame system that was designed, built, and tested to suit the artwork.
The artwork is composed of three glass panels made with a combination of Axolotl’s proprietary glass and metal techniques.
Each panel was first kiln formed in Jade lustre glass. The kiln slumped technique enabled the silhouette of the hooded figures to sit pronounced and was selected in homage to the bas-relief style of Ohlfsen’s original commission.
The lustre glass has a uniquely reflective quality that activates the artwork with haunting, glowing figures visible even from the footpath across the road from the gallery. No additional lighting or backlighting has been incorporated into the work.
The glass panels were then treated with Axolotl’s semi-precious metal Link process to inlay copper and iron metals onto the surface. Dickens’ intricate hooded figures use a combination of Brown Rust, Black Rust and textured Majestic Rust to highlight the design, while the copper background received a complementary sea-green Verdigris patina, which was polished with guidance from Dickens at the Axolotl workshop.
Axolotl is honoured to have worked with Karla Dickens and the Art Gallery of New South Wales on such a prominent and powerful artwork. We thank and congratulate all involved for creating such an important piece and after more than a century, completing the grand entry of the building.
Image credit: Installation view, Karla Dickens, ‘To see or not to see’ 2022 #ArtGalleryNSW commissioned with funds provided by the Barbara Tribe Bequest 2022 © Karla Dickens. Photos © AGNSW, Diana Panuccio
